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p.04

PHOTOGRAPHY IS DEAD,
LONG LIVE PHOTOGRAPHY

A contradiction, an important debate or a page supposed to be ripped out? Yo
u decide.

p.08

SEND LAWYERS,
GUNS AND MONEY

Hunter S. Thompson is as much a legend of our time as the characters he left us with. From riding with the Hell’s Angels to fear and loathing all across the US - his legacy reaches into the deepest ditches of our souls.
p.12

CUTOUT ADVENTURES:
MUHA COLLAGES

The sound of tearing paper is not a sound of destruction, but of creation. An interview with Kamen Kyutchukov takes us through his fantastic universe of paper collages.
p.36

THE ITALIAN CONNECTION

Four days in Italy between flights. Two classic examples of poliziotteschi movies. And a manhunt across Milan’s soaked streets.
p.70

CINQUANTA
CINQUECENTO

A short but tender love story about a 50mm lens and one of Italy’s most important 500s - the Cinquecento.
p.74

INTRODUCING:
NINA MARIA ALLMOSLECHNER

From Iceland to Tyrol, an interview with Nina Maria Allmoslechner reveals insight into her photographic practice as she explores womanhood, body image and movements, as well as mental health and lens-based memory representation.

p.88

VALLEY OF THE SHADOW MOON

Walking through forests, the trees bend and creak as though whispering a secret tale. A blend of photographic landscapes and fiction.

p.101

AEROGRAMME

How many of us remember the times when mail used to fly? And when was the last time you wrote a letter? Perhaps now is a good time to do it, after reading this.
p.109

INTRODUCING:
EMILIA MARTIN

When a rock falls from the sky is it a relic? This and other questions are answered in the letter and interview with maker, thinker, photographer, writer, researcher, feminist and sound artist Emilia Martin.
p.124

COMBINATION OF THE TWO

Great ideas conveyed through simple means creates the most impactful work there is. Dust off your lens and sharpen your pencil as we explore the relationship between photography and writing.
p.134

ON PROCESS

Does it matter how we do things? From your morning cup of coffee to developing film - you might be surprised it does!
p.138

BLACK AND WHITE FILM DEVELOPING GUIDE

So you know how to do it yourself.
p.142

FEAR AND LOATHING:
THE THIN RED LINE

A savage journey to the heart of camera design in the 20th century where the thin red line begins. From wars to dictators - they shot it all.
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